"A portrait is a painting with something wrong with the mouth!" (J.S. Sargent) The mouth is approached in this 4-part course as a unique concentration of study. Beginning with imagery and phrasing from The Human Figure - a 1907 classic - we explore the implementation of its descriptive language on an array of unique structural circumstances, all pertaining to drawing this feature. Ideal for painters, sculptors and draftspersons, students emerge from this course with greater observational powers.

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